Mon 20 Feb 2012
The Dandelion
Posted by jasonalberty under Family Tales
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Things are pretty much in stasis on the homecare front. Dad is now fourteen days in hospital. Mom is going into surgery Tuesday.
Gross Indecency, the play I directed for TCR, is now in mid-run. Monopoly, the SPT’s Writers’ Room show —that I wrote for and was slated to perform in— went off without me and without a hitch last weekend.
It was good that I could stay in Des Moines for nearly a full week without feeling like I needed to be home —other than the sometimes-crippling desire to see my wife and kids.
During that near-week I saw my father get better, get worse, get better, then fall back again. I saw my mother get stronger, in minute increments, but it was positive movement. But the climax of the homecare segment of my week was the discussion with a home nurse about the probable need of assisted living for both parents, “at least in the medium-term.”
So, I was in a bit of a dark place.
My wife couldn’t find coverage for the kids on Friday, so I left my mother to my brother and went back home for a spell.
This was now the second time that I “Went back home for a spell.” And it was the second time that, when I hit a specific street —one that was two turns from my driveway— that the control of emotion became a real struggle. Both times, now, seeing my wife and kids really revealed the stress that forced emotional detachment can cause.
What I mean is this: When I walk into my father’s hospital room and he looks up at me like a scared four year-old and says, “Why am I still here?” I have to explain why without my eyes welling up and spilling over. When my mother looks up at me with pride because she was finally able to finish a 4 ounce cup of yogurt for lunch, I can’t beg her to eat more because she’s wasting away. I have to happily show joy at this accomplishment.
I had absolutely no idea how tiring, how draining that can be.
Well, I had a bright, floating moment of forgetfulness on Saturday. As I was home, I was able to attend the children’s auditions for my first full-length stageplay. By “my first full-length stageplay,” I mean that I wrote it. And that I got paid for it.
I just realized that this February is the most concentrated month of work I have had in years. Irony, right? Writers love irony.
Anyway, I actually heard kids saying my words, in hopes that they could memorize and say my words on stage in front of people. And some of those kids really got the lines. And those watching the auditions laughed at the right lines. It was a surprising, though brief, validation of the months I spent writing that thing.
For a moment I felt like I was floating above worry, fluffy, weightless, free of serious responsibility.
And just tonight the director told me she has cast the show. And, more importantly for me, rehearsals won’t begin until the second week of March.
That means I can focus on the important uneven ground in front of me for the next few weeks. Focus on the parents; tend their gardens, as it were.
And I guess that’s as it should be.
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